Audition

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This round of auditions has closed, you can still submit your resume and videos, but selection for this round is now closed.

Audition to be added to the Longview Symphony roster that our personnel manager can draw from for our concerts.

You will be required to supply the following:
1) Mozart – concerto G major – 1st mvt exposition (m. 31-91) and cadenza of player’s choice 
2) Beethoven – Leonore Overture No. 3 – Adagio m. 1-36 and m. 328-360
3) Rossini – William Tell Overture m. 181-226
4) Brahms – Symphony No. 4 mvt. IV, m. 89-105
1) Ravel – Bolero; 3rd ms of [8] to [9]
2) Rossini – Semiramide, Overture; ms 137-145 & ms 329-337
3) Beethoven-Symph No. 5, Mvt. 4; ms 699-735
1) Mozart Oboe Concerto m. 32-76
2) Brahms Symphony 1, mvt. 2: m.17-23 and 38-43
3) Stravinsky Pulcinella Suite Mvt 2 m.1-10
1) Solo Rep: Mozart – Clarinet Concerto in A Major, K. 622, 1st movement, ms 57-154
2) Sibelius – Symphony #1: 1st movement – Opening solo (mm. 1 – 32)
3) Rimsky-Korsakov – Capriccio Espagnol: ~1st movement – Reh. A – B (mm. 14 – 27) ~1st movement – Reh. C to 11 before end (mm. 41 – 61)
4) Mendelssohn – Scherzo from A Midsummer Night’s Dream *Beginning to Reh. B (mm. 1 – 48)
5) Borodin – Polovtsian Dances: ~#8 (Presto) – Beginning to Reh. B
6) Tchaikovsky – Symphony #5. Opus 64; 1st movement – opening to Allegro con anima (mm. 1 – 37)
1) Stravinsky: Rite of Spring (bassoon 1, mm. 1-15)
2) Mozart: Overture to Marriage of Figaro (mm. 139 to 171)
3) Brahms: Violin Concerto in D Major, Op. 77 (bassoon 2, movement 2 Adagio – mm. 1 to 32)
1) Ravel, Mother Goose Mvt. 4; [2] to 11 ms before [6]
1) Beethoven Symph No. 3 (Hn 2) Mvt 3, Trio ms 171-205
2) Mendelssohn Symph No. 3 (Hn 3) Mvt 2, ms 74-95
3) Tchaikovsky Symph No. 5 (Hn 2) Mvt. 4, ms 24-41
4) Tchaikovsky Symph No. 4 (Hn 2) Mvt. 1, ms 1-19
5) Mozart; Horn Concerto No. 2 – exposition -or- Mozart; Horn Concerto No. 4 – exposition
1) Pictures at an Exhibition Mussorgsky/Ravel  measures 1-8 (Promenade)
2) Petrouchka Stravinsky (1946 revision) Pickup to rehearsal # 135- 7 measures after rehearsal #138 (Ballerina dance)
3) Capriccio Italien Tschaikovsky Pickup to 190-196 (from the 1st cornet part)
4) Pines of Rome Respighi The trompeta interna part measures 242-251 (off stage solo)
5) Magnificat J. S. Bach measures 1-13.
1) Strauss; Ein Heldenleben, Trombone 1, [60] to 3 ms before [66]
2) Wagner; Die Walkure (Ride of the Valkyries) P/U to [3] to 2 ms after [6]
3) Berlioz; Hungarian March, 1 ms before [4] to 3 ms after [5]
4) Tchaikovsky; Symph No. 6, Mvt. IV [L] to [N]
1) Wagner; Das Rheingold, Entry of the Gods, ms 80 to end
2) Haydn; The Creation, ms 1-22
3) Wagner; Ride of the Valkyries
1) Prokofiev, Symph #5, Mvt 1; [3] – [6]
2) Respighi: The Fountains of Rome; [11] – [14]
3) Wagner: Overture to Die Meistersinger von Nurnberg; [J] – [L]
1) Mozart, Symph #39; opening to ms 21
2) Beethoven, Symph #1, Mvt 3; ms 44-70
3) Beethoven, Symph #1, Mvt 3; last 14 measures of the Trio
4) Beethoven, Symph #5, Mvt 3; [C] to downbeat of ms 22 of Mvt 4
5) Beethoven, Symph #9, Mvt 2; [F] to [H]
6) Tchaikovsky, Symph #4, Mvt 1; 4 ms before [T] to [V]
1) Tchaikovsky; Nutcracker Waltz of the Flowers – Cadenza
2) Rimsky Korsakov; Capriccio Espagnol – Cadenza
1. Symphony no 1, Mvt. 2- Dmitri Shostakovich
2. Petrouchka- Igor Stravinsky
3. Sugar Plum Fairy- Peter Tchaikovsky
1) Brahms; Symph No. 4, 2nd mvt; ms 80-102
2) Brahms, Symph No. 4, 4th Mvt; ms 33-81
3) Mendelssohn; A Midsummer Night’s Dream, Scherzo; ms 17-99
4) Strauss; Don Juan, first page
1) Berlioz; Overture Roman Carnival; all
2) Shostakovich; Symph No. 5; Moderato, ms 12-25
3) Beethoven; Symph No. 5; Andante con moto; all
1) Beethoven Symphony No. 5, 2nd Mvt; beginning to ms 10
2) Beethoven Symphony No. 5, 2nd Mvt; ms 48-59
3) Beethoven Symphony No. 5, 2nd Mvt; ms 98-108
4) Beethoven Symphony No. 5, 2nd Mvt; ms 114-124
5) Mozart Symphony No. 35, Haffner, 4th Mvt; beginning to ms 37
6) Mozart Symphony No. 35, Haffner, 4th Mvt; ms 134-181
1) Mozart 39 mvt 1 40-96
2) Brahms 2 mvt 1 reh E-F 118-156
3) Beethoven 5 mvt 3 140-218
Submissions with be judged by three section leaders. Musicians chosen will be notified by email from the Personnel Manager of their acceptance or any further needs.

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